Roy Pickering was born into the north Nottinghamshire mining community at Welbeck in 1954.
Son of pit worker and photographer Ron Pickering.
Studied painting at Birmingham Polytechnic in the 1970′s.
Lived and worked in London 1987-2003. Numerous education projects and residencies.
Taught in further and higher education, and part time at the Tate Galleries in London, since 1989.

Current studios in Nottinghamshire and London. Exhibited work regularly for more than 40 years, with work in many private and public collections. Most recent exhibitions at Gallery Cork Street, London, with Charles Hustwick in 2010 ; National Museum of Kenya, Nairobi 2011 ; Otwarta Pracownia, Krakow & Vitcak/Artnews Gallery, Warsaw 2014 ; Djanogly Gallery, Lakeside, University of Nottingham 2016.

Previous figurative work was centred around the themes of family and family history.
Previous landscape projects include the Cambridgeshire fens, and three Kenya series in 1986, 1997 and 2010.
Returned to work in Sherwood Forest in 2003.

Roy Pickering is founder and director of Quarrylab, an artist development and support programme. Organiser and curator of Quarrylab exhibitions – “Impossible Views” at BSG Keyworth 2017 and “SEE HERE” at old Neale’s auction house, Nottingham 2018.

All posts in Blog

10 New Paintings for 2021 150 x 120cm Oil and Acrylic on Aluminium


                  ‘Between the Birches’

                 ‘Hiding Place’


                 ‘Late Summer’

                 ‘What We Left Behind’

                  ‘Then and Now’

                ‘Storm Approaching’           

                 ‘Warm Spring’

                 ‘Papers in the Field’

Late 2016

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New drawings; acrylic, black ink and mud on very heavy paper. These were left in the woods for 7 months, re-worked slightly and fixed.

The start of a series of small oil paintings on aluminium based on the changes at the old pit site at Meden Vale where I was born and raised.

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Working with Sardul Gill

I’ve been making collaborative drawings,  a totally new and alien experience for me, with Nottingham painter Sardul Gill.

Sardul and I initially made some paintings / drawings in my garden around March time.


Then I had an idea to do some more in June. The idea was to try and make drawings consistent with how the landscape is formed – that is to say, allowing for natural forces and human intervention – and see what would happen. The landscape is constantly being altered by natural forces and by animals, and by people planting, digging, building, and clearing up and making repairs.

I put some large sheets of Fabriano out in the woods and left them for three weeks. During this time it rained (a lot) and the paper buckled of course. After about a week I threw on some mud, from the field (red clay) and grey mud from the quarry tip. Although I weighted it down the wind blew the paper about and it tore, and the rain made holes. I imagine small insects and animals crawled across. It became covered in twigs and leaves, and grass clippings from the strimmer – dried out and got wet again several times.

I invited Sardul to come and and work on the drawings with me. We applied more mud, black ink and white paint. Next day it rained again and it all changed. Then a strong wind came and tore off great chunks. At this point I brought them into the studio to try and preserve and patch them up a bit. they probably won’t last very long but I hope to at least show them once next year, before they fall apart all together!


I have now have some ink drawings on much sturdier paper that have been out in the woods for six months so far….


Taking a Step Back – Living Ancients series 2 in progress

Sometimes I need to take a step back – Living Ancients series 2 in progress.IMG_2191IMG_2194IMG_2203IMG_2187IMG_2202IMG_2205IMG_2210IMG_2213IMG_2214

Across the field Oct / Nov 2015

Across the field October / November 2015. Small oil on aluminium. 26 x 34 cm approx.

Meden Vale 1sIMG_1192sHW 15:16 1sIMG_1128_2sIMG_1193s

Borrowed Land – Nottingham Lakeside Arts Centre

Please click on the image for link to Nottingham Lakeside Arts Centre.


Square Trees


I’ve decided it’s probably best to do trees on a square.




Trees are bigger than you think. If you start drawing the trunk you soon run out of paper. The branches seem to go on for ever, and get all mixed up with next tree and the rest of the woods. Figure and ground. So the question is – how much do I put in? How far back do I stand?

Also, I’ve noticed trees are three dimensional – so which side shall I do? Or maybe do a Cubist tree……. maybe not. And they change throughout the year as well. Damned tricky.


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War Games

Currently working on a series of drawings – examples

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Sun Farm, Oaks and Quarry.

And a series of paintings on aluminium called War Games – examples

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This is in Hazel Gap wood, a slightly scary place at the best of times. I played there as a kid. It was used by the military during the war, and still bares evidence of that. It has always been strictly out of bounds. Now it’s a war games centre where grown ups dress like soldiers and pretend to shoot each other.

Went to see my friends the Living Ancients again today, tomorrow as well if it keeps fine.

I forgot to say – the best things I saw last year – Veronese at NG, Constable at V&A, Toulouse-Lautrec museum in Albi. So far this year – the excellent Deibenkorn at RA.

Stuff Going On

Stuff going on 1 Stuff going on 2

First they cut down all the pine trees along the Crags path so I could see the slag heap, which is nice. Then my neighbour set out a practice course in the field for her horses and carriages with some red, white and blue  plastic markers. Some misty mornings I catch a glimpse of her black carriage and four floating round the field like a Victorian ghost hearse, plumes and everything.

Then, in the field on the other side of the chestnut trees, a crop of solar panels has sprouted. Stuff going on. I love it!

Some small paintings on aluminium done this winter, and some drawings in progress.

Solar Field 3       Solar Field 4   Solar Field 1